The best jazz clubs in NYC (2024)

The flagship venue for midtown’s jazz resurgence, Birdland takes its place among the neon lights of Times Square seriously. That means it’s a haven for great jazz musicians (Joe Lovano, Kurt Elling) as well as performers like John Pizzarelli and Aaron Neville. The club is also notable for its roster of bands-in-residence. Sundays belong to the Afro-Latin Jazz Orchestra.

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Iridium lures upscale crowds with a lineup that’s split between household names and those known only to the jazz-savvy. The sight lines and sound system are truly worthy of celebration.

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The Blue Note prides itself on being "the jazz capital of the world." Bona fide musical titans (Chick Corea, McCoy Tyner) rub against hot young talents (Brooklyn soul actPhony PPL), while the close-set tables in the club get patrons rubbing up against each other. The late-nightweekend sets and the Sunday brunches are the best bargain bets.

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Aftermore than 80 years, this basem*nt club’s stage—a small but mighty step-up—still hosts the crème de la crème of mainstream jazz talent (Billy Hart, Andrew Cyrille, Vijay Iyer). Plenty of history has been made here: John Coltrane, Miles Davis and Bill Evans have grooved in this hallowed hall. The 16-piece Vanguard Jazz Orchestra has been the Monday-night regular for more thanfive decades years.

The iconic Smoke Jazz Club on the Upper West Side at 2751 Broadway by 106th Street has undergone a transformation.Husband and wife co-owners Paul Stache and Molly Sparrow Johnson have taken on two adjacent storefronts (a decision that was made pre-pandemic) in order to expand the jazz club, which is now home to an attached lounge as well. The instantly recognizable full-length bar that patrons were used tosaddling up toin the original iteration of the venue is nowfound in the new lounge. Theadditional space also allows for a larger stage.

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For those looking for an authentic jazz club experience—rather than the cheesy dinner-club vibe that prevails at too many other spots around town—Smalls is a must. The cozy basem*nt space feels like a speakeasy, or more specifically, one of those hole-in-the-wall NYC jazz haunts of yore over which fans routinely obsess. Best of all, the booking skews retro, yet not stubbornly so: You'll hear classic hardbop as well as more adventurous, contemporary-flavored approaches.

Head to Harlem on Friday and Saturday nights to regale in saxophonist Bill Saxton and the Harlem All Stars’ classic jazz. Tickets are $30 and the show is BYOB (whatever type of bottle you want). Indoor and outdoor seating is available.

Housed in the same basem*nt space where Thelonious Monk was the house pianist, Billie Holiday sang, and Frank Sinatra came to watch her, Zinc Bar by Alex Kay and Kristina Kossi looks like a Bogie gin joint, with a stainless-steel bar stocked with vintage decanters and a classic champagne chiller—and it'salwaysa good bet for jazz, Latin rhythms and African sounds.

The jazz arm of Lincoln Center is several blocks away from the main campus, high atop the Time Warner Center. It includes three rooms: The Rose Theater is a traditional midsize space, but the crown jewels are the Allen Room and the smaller Dizzy’s Club Coca-Cola, with stages framed by huge windows overlooking Columbus Circle. The venues feel like a Hollywood cinematographer’s vision of a Manhattan jazz club. Some of the best players in the business grace the spot, among them Wynton Marsalis, Jazz at Lincoln Center’s famed artistic director.

Descend into The Django and you’ll feel like you’ve entered another world. The subterranean jazz club, with its vaulted ceilings and exposed brick walls, was modeled after the boîtes of Paris. The venue consists of two co*cktail bars, open dining space and a stage for live performances with the ne plus ultra: a state-of-the-art Meyer Sound system.

The Django has become a place to call home for musicians and audiences alike. Providing opportunities for rising stars, seasoned performers, and eager audiences to enjoy a range of jazz music seven nights a week complemented by a hand-crafted co*cktail program by award-winning mixologist Natasha David and an elevated dinner menu.

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It’s easy to walk right past the inconspicuous steel door that leads to Ibeam. The compact practice-pad-cum-venue is run by trombonist Brian Drye and has become a go-to for Brooklyn’s avant-jazzers. Doubling as a members-only rehearsal space, Drye’s tiny, cozy, art-adorned digs keep overheards down to offer a low-cost alternative to the city's more lavish jazz venues and highlight the most progressive minds in the local scene.

This beloved haunt, one of the city's premier incubators for progressive-jazz talent, has relocated from its former Soho digs to a gallery-like space near the Flatiron Building.

First-timers at this remote Alphabet City outpost will have to ask the smokers outside if they’ve come to the right place: Only a blue light marks the spot. Inside, the crowd settles in for the offbeat jazz and avant-garde acts like owner Ilhan Ersahin’s Wax Poetic. Excellent live Brazilian music and dancing are the draws on Wednesday nights.A sister venue, Nublu 151, also hosts live music just a few blocks away.

Jazz bassist Matthew Garrison's slick Gowanus performance space hosts nightly performances of live experimental music. During the day, the joint provides state-of-the-art rehearsal, recording and exhibition space to the neighborhood's artists.

Since 2005, the prolific composer and improviser John Zorn has operated his nonprofit venue,The Stone, with one-of-a-kind curated lineups and a no-beverages-or-merch policy out of an East Village storefront. That space shuttered in March 2018, but the music keeps going at its new home:the New School’s Glass Box Theatre. Expect the same adventurous music organized by world-class curators (Sonic Youth rocker Thurston Moore and jazz-guitar wizBill Frisell are among the names penciled in for residencies).